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<channel>
	<title>Sonya Isupova</title>
	<link>https://sonyaisupova.com</link>
	<description>Sonya Isupova</description>
	<pubDate>Fri, 19 Dec 2025 11:32:24 +0000</pubDate>
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		<title>Header</title>
				
		<link>https://sonyaisupova.com/Header</link>

		<pubDate>Sun, 03 Apr 2022 13:53:13 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

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		<description>&#60;img width="100" height="100" width_o="100" height_o="100" data-src="https://freight.cargo.site/t/original/i/d8355555c72c3b0ae0d79f1486a72c4732bb1a57a3f70de39d7cd8d692d2aab9/Oval1.svg" data-mid="138463803" border="0" style="width: 100px; height: 100px;"&#62;&#38;nbsp;&#38;nbsp;</description>
		
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		<title>Nav</title>
				
		<link>https://sonyaisupova.com/Nav</link>

		<pubDate>Sun, 03 Apr 2022 13:53:14 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

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		<description>
	Projects: Flows into Being&#60;img width="1433" height="1080" width_o="1433" height_o="1080" data-src="https://freight.cargo.site/t/original/i/460f36160405469e215b4fcb58148d39b9aeddb820dabeabde34f88d7d92f0f8/cover4.png" data-mid="159066381" border="0"  src="https://freight.cargo.site/w/1000/i/460f36160405469e215b4fcb58148d39b9aeddb820dabeabde34f88d7d92f0f8/cover4.png" /&#62; /&#38;nbsp;Crimea Definition   &#38;nbsp; &#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/72a2e82d2f6d3815b8814cafb53e21c0ae47c03c5681c0c28eb4dba1c6166bae/crimea2.gif" data-mid="168962043" border="0"  src="https://freight.cargo.site/w/600/i/72a2e82d2f6d3815b8814cafb53e21c0ae47c03c5681c0c28eb4dba1c6166bae/crimea2.gif" /&#62;&#60;img width="1513" height="1637" width_o="1513" height_o="1637" data-src="https://freight.cargo.site/t/original/i/f372585d6c39696b0fff3b76c49c140a54c7a13063797edfa46eb854debdba43/AALTO_small.png" data-mid="154895689" border="0"  src="https://freight.cargo.site/w/1000/i/f372585d6c39696b0fff3b76c49c140a54c7a13063797edfa46eb854debdba43/AALTO_small.png" /&#62; /&#38;nbsp;Critical Anguish&#38;nbsp; &#60;img width="2048" height="1852" width_o="2048" height_o="1852" data-src="https://freight.cargo.site/t/original/i/49982f0e528de878bbcdea2198202e628f12e76916afab11df2dfffc7be50a4d/pphoto2.png" data-mid="206697803" border="0"  src="https://freight.cargo.site/w/1000/i/49982f0e528de878bbcdea2198202e628f12e76916afab11df2dfffc7be50a4d/pphoto2.png" /&#62;/&#38;nbsp;The Satellite&#38;nbsp; &#60;img width="1513" height="1637" width_o="1513" height_o="1637" data-src="https://freight.cargo.site/t/original/i/f372585d6c39696b0fff3b76c49c140a54c7a13063797edfa46eb854debdba43/AALTO_small.png" data-mid="154895689" border="0"  src="https://freight.cargo.site/w/1000/i/f372585d6c39696b0fff3b76c49c140a54c7a13063797edfa46eb854debdba43/AALTO_small.png" /&#62; /&#38;nbsp;Kakhovska Dam&#38;nbsp;&#60;img width="1000" height="985" width_o="1000" height_o="985" data-src="https://freight.cargo.site/t/original/i/7551ad2f2addb7bf17cb5712c861423a17e7ea8371a13e8047f9db4d923dba2e/kakhova.jpg" data-mid="219011395" border="0"  src="https://freight.cargo.site/w/1000/i/7551ad2f2addb7bf17cb5712c861423a17e7ea8371a13e8047f9db4d923dba2e/kakhova.jpg" /&#62;/&#38;nbsp;  To Live by the Water&#60;img width="1000" height="1050" width_o="1000" height_o="1050" data-src="https://freight.cargo.site/t/original/i/46151c6bb696b6f8c275c77098edef79d986d080ec650cae7004b33fc9dd0eb5/Sonya-Isupova_La-Becque_Open-Studios_photo-Aurelien-Haslebacher_6.jpg" data-mid="219011566" border="0"  src="https://freight.cargo.site/w/1000/i/46151c6bb696b6f8c275c77098edef79d986d080ec650cae7004b33fc9dd0eb5/Sonya-Isupova_La-Becque_Open-Studios_photo-Aurelien-Haslebacher_6.jpg" /&#62; /&#38;nbsp;Maqinas Digitales&#60;img width="586" height="586" width_o="586" height_o="586" data-src="https://freight.cargo.site/t/original/i/616b85b9a5175fb636c0c31eb1a687a447ac3f6b5b2e3ab0ee98749fec7dcad8/IMG_3346_small.png" data-mid="229551970" border="0"  src="https://freight.cargo.site/w/586/i/616b85b9a5175fb636c0c31eb1a687a447ac3f6b5b2e3ab0ee98749fec7dcad8/IMG_3346_small.png" /&#62; /Art After the 2000s: Glossary&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/543468cd7ccfa7225d0cf9580b086d0325c6b013a902fe6e005ab825f51105c2/14.png" data-mid="240607048" border="0"  src="https://freight.cargo.site/w/800/i/543468cd7ccfa7225d0cf9580b086d0325c6b013a902fe6e005ab825f51105c2/14.png" /&#62; /&#38;nbsp;Dnypro /&#38;nbsp;&#60;img width="478" height="478" width_o="478" height_o="478" data-src="https://freight.cargo.site/t/original/i/7744ed7fa0860fa90250b4f5399b6689342ff5c9fcd365fc02abdf4cee14d699/thumb.png" data-mid="242039939" border="0"  src="https://freight.cargo.site/w/478/i/7744ed7fa0860fa90250b4f5399b6689342ff5c9fcd365fc02abdf4cee14d699/thumb.png" /&#62;
&#60;img width="600" height="880" width_o="600" height_o="880" data-src="https://freight.cargo.site/t/original/i/53134b2cfbd5128b055b1e4f9af721791fb91e9363a257acaa0fd4a8f75ef9d9/memory_swig.png" data-mid="168962753" border="0"  src="https://freight.cargo.site/w/600/i/53134b2cfbd5128b055b1e4f9af721791fb91e9363a257acaa0fd4a8f75ef9d9/memory_swig.png" /&#62; &#60;img width="814" height="662" width_o="814" height_o="662" data-src="https://freight.cargo.site/t/original/i/e91c04fe54fa538126583e3d336d10e4585dbc930935d686b1bf39f73f463b2e/hasan-1.gif" data-mid="154898236" border="0"  src="https://freight.cargo.site/w/814/i/e91c04fe54fa538126583e3d336d10e4585dbc930935d686b1bf39f73f463b2e/hasan-1.gif" /&#62;&#60;img width="600" height="880" width_o="600" height_o="880" data-src="https://freight.cargo.site/t/original/i/53134b2cfbd5128b055b1e4f9af721791fb91e9363a257acaa0fd4a8f75ef9d9/memory_swig.png" data-mid="168962753" border="0"  src="https://freight.cargo.site/w/600/i/53134b2cfbd5128b055b1e4f9af721791fb91e9363a257acaa0fd4a8f75ef9d9/memory_swig.png" /&#62;</description>
		
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		<title>Critical Anguish </title>
				
		<link>https://sonyaisupova.com/Critical-Anguish</link>

		<pubDate>Thu, 02 Mar 2023 13:48:31 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Critical-Anguish</guid>

		<description>
	CRITICAL ANGUISH
	
	Emotion-generating machine.


Exploring the relationship between humans and the machine.
What happens when you take something inherently

human and leave it to the machine?&#38;nbsp;











What emotions will it generate?





&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/7876e44411d3c66393dbcd7e3b8e4a7c8f8fc1f81c52a82a6609f5d690ef93ae/R6__7610_2.png" data-mid="181781363" border="0"  src="https://freight.cargo.site/w/1000/i/7876e44411d3c66393dbcd7e3b8e4a7c8f8fc1f81c52a82a6609f5d690ef93ae/R6__7610_2.png" /&#62;
&#60;img width="2048" height="2560" width_o="2048" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b0e2d450422a8eb39c56db1af248a6cbd5cdaa71bfd092363d01a0417a558cd6/R6__6920.jpg" data-mid="180382180" border="0"  src="https://freight.cargo.site/w/1000/i/b0e2d450422a8eb39c56db1af248a6cbd5cdaa71bfd092363d01a0417a558cd6/R6__6920.jpg" /&#62;









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		<title>Dnypro: Witnessing changes of the Ukrainian landscape: surveilling, tracking and targeting</title>
				
		<link>https://sonyaisupova.com/Dnypro-Witnessing-changes-of-the-Ukrainian-landscape-surveilling</link>

		<pubDate>Fri, 19 Dec 2025 11:32:24 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Dnypro-Witnessing-changes-of-the-Ukrainian-landscape-surveilling</guid>

		<description>
	Dnypro: 
Witnessing changes of the Ukrainian landscape: surveilling, tracking and targeting
	
	E-WERK Luckenwalde, JUNGE AKADEMIE Akademie der Künste and E.ON Foundation are pleased to present the group exhibition of Mensch Maschine fellows 2024–2025 at E-WERK featuring&#38;nbsp;Assem Hendawi, Emerson Culurgioni &#38;amp; Viktor Brim, hn. lyonga &#38;amp; Safiya Yon, Kira Xonorika, Maithu Bùi, Rae Hsu and Sonya Isupova.
For this work, Sonya Isupova built a metaphorical satellite, a self-constructed machine that hovers above the land, mapping data with limited accuracy and transforming satellite images into maps. Using NDWI (Normalized Difference Water Index) data, which monitors water content in vegetation and open water bodies, she charts the Dnypro River’s altered course after the dam’s destruction. With the dam gone, the river has returned to its original bed. The map unfurls like the river itself, revealing swirls, rapids, channels, and spurs piece by piece. Imperfect and incomplete, the map embodies the inherent inaccuracies of all mapping — the only certainty is that the roll keeps turning, and the river keeps emerging.

For the exhibition at E-WERK Luckenwalde, Isupova constructed a new vertical drawing machine, transforming the way the maps are presented. Instead of lying flat, the maps cascade downward to the floor as they are generated in real time, allowing audiences to witness mapping as it happens, emphasizing both the fluidity of the landscape and the continuous production of knowledge.
Photo:&#38;nbsp;Laila Kaletta








&#60;img width="1008" height="756" width_o="1008" height_o="756" data-src="https://freight.cargo.site/t/original/i/2c04337e0cdd11dfbecf15453480a4f0c4b9bea1eacaff3743d91aa3faae4744/IMG_5807.png" data-mid="241983637" border="0"  src="https://freight.cargo.site/w/1000/i/2c04337e0cdd11dfbecf15453480a4f0c4b9bea1eacaff3743d91aa3faae4744/IMG_5807.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/87a7a2ae3822c7b6773313768f50752b368cb0ccf2e495c69840cccaa97e4fff/image_10.png" data-mid="241983791" border="0"  src="https://freight.cargo.site/w/1000/i/87a7a2ae3822c7b6773313768f50752b368cb0ccf2e495c69840cccaa97e4fff/image_10.png" /&#62;
&#60;img width="1541" height="1027" width_o="1541" height_o="1027" data-src="https://freight.cargo.site/t/original/i/3842250bba7ab31b4e3e07dd9a6e45165f3680a46a9b9216f6a3fa960299d92d/return-to-earth-dokumentation_Laila-Kaletta_2025_high-res_89.png" data-mid="241983636" border="0"  src="https://freight.cargo.site/w/1000/i/3842250bba7ab31b4e3e07dd9a6e45165f3680a46a9b9216f6a3fa960299d92d/return-to-earth-dokumentation_Laila-Kaletta_2025_high-res_89.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/23f47874196f44a59bee797b61274b19566de5ac336c6c50edb0ac689aed7329/image_7.png" data-mid="241983788" border="0"  src="https://freight.cargo.site/w/1000/i/23f47874196f44a59bee797b61274b19566de5ac336c6c50edb0ac689aed7329/image_7.png" /&#62;

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		<title>Crimea Definition</title>
				
		<link>https://sonyaisupova.com/Crimea-Definition</link>

		<pubDate>Thu, 07 Apr 2022 20:14:34 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Crimea-Definition</guid>

		<description>


	
	CRIMEA Definition&#38;nbsp;
	
	During 1 week workshop with Metahaven, 
we were tasked with creating a pattern. 

A pattern is a regularity in the world, or in abstract idea. As such, the elements of a pattern repeat in a predictable manner. I decided to analyze the predictability of a pattern in the text. Specific web articles in relation to the keyword - CRIMEA 

The annexation of Crimea was an act that created a feedback loop between theinternational community (west) and russian federation. I was aiming to map out this paradox, analyzing the pattern of language used by different sources while talking about my home country.



	




	
	


	

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		<title>Kakhovska Dam</title>
				
		<link>https://sonyaisupova.com/Kakhovska-Dam</link>

		<pubDate>Tue, 23 Jul 2024 15:41:57 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Kakhovska-Dam</guid>

		<description>


	
	Mapping
 Kakhovska Dam
	
	



 



Next Stages of the project: Mapping Uncertain Landscape. 


Together with scientifiic collaborator&#38;nbsp; Anatolii Chernov (PhD) will look at vegetation data of the region and develop an algorithm for processing data gathered from the crop monitoring satellite. &#38;nbsp;




I am focusing on exploring the ecological repercussions of the ongoing war in Ukraine and its impact on the landscape. With a particular emphasis on the heavily affected regions in the South and the destruction of the Kakhovska Dam in June of 2023. 



&#38;nbsp;
Together with ecologists and earth scientists, I aim to create an extensive series of maps tracking the changes in vegetation levels of the Southern Ukraine. All the maps will be created by my own personal map-making machine, a prototype of which I’ve designed for my graduation project at la HEAD. For the next stages of the project, I will construct new printing machines as well as make adjustments to existing ones. Together with the industrial designer, enhances the mechanism for paper placement and pen-gripping. Allowing me to create larger, more diverse, and distinct maps of the region. Through this artistic exploration, I hope to shed light on the intricate ecological dynamics and their changes amid the war-ravaged landscapes of Ukraine. 

&#38;nbsp;


Team: Hsuan Lee, David Heritier, Anatolii Chernov


Photography: Sebastian Reinicke,&#38;nbsp;Stefanie Walk









	



&#60;img width="2768" height="1663" width_o="2768" height_o="1663" data-src="https://freight.cargo.site/t/original/i/2a4066600464c544bb2b682ae95b6f655cd097efb53f4aed5bfdd860316977eb/DSC00213_edited.jpg" data-mid="215133206" border="0"  src="https://freight.cargo.site/w/1000/i/2a4066600464c544bb2b682ae95b6f655cd097efb53f4aed5bfdd860316977eb/DSC00213_edited.jpg" /&#62;
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&#60;img width="2832" height="4240" width_o="2832" height_o="4240" data-src="https://freight.cargo.site/t/original/i/dabb1a172589a699b72f4ea4a4f3e5a38c342fe1ac0fb90a3a820fca86785fad/DSC00247.jpg" data-mid="215133226" border="0"  src="https://freight.cargo.site/w/1000/i/dabb1a172589a699b72f4ea4a4f3e5a38c342fe1ac0fb90a3a820fca86785fad/DSC00247.jpg" /&#62;
&#60;img width="2512" height="1696" width_o="2512" height_o="1696" data-src="https://freight.cargo.site/t/original/i/86bf71f3c12588bb0c54fd847ba2a579d1120362add4e02ce55b95dc8d444f7f/DSC00218_dited.jpg" data-mid="215133214" border="0"  src="https://freight.cargo.site/w/1000/i/86bf71f3c12588bb0c54fd847ba2a579d1120362add4e02ce55b95dc8d444f7f/DSC00218_dited.jpg" /&#62;




	

	
Documentation process of printing

 


&#60;img width="4033" height="2299" width_o="4033" height_o="2299" data-src="https://freight.cargo.site/t/original/i/fea83b52534eef0829ae3fc8a51435179a1628825d51aedffa3cffc34a1c30ad/DSC00275.jpg" data-mid="215133432" border="0"  src="https://freight.cargo.site/w/1000/i/fea83b52534eef0829ae3fc8a51435179a1628825d51aedffa3cffc34a1c30ad/DSC00275.jpg" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/b585a0a572cfe4f29b11b8600f56b23e35078068e11a19a6e5be6575549fc1d6/DSC00087.JPG" data-mid="215134254" border="0"  src="https://freight.cargo.site/w/1000/i/b585a0a572cfe4f29b11b8600f56b23e35078068e11a19a6e5be6575549fc1d6/DSC00087.JPG" /&#62;
&#60;img width="1500" height="2050" width_o="1500" height_o="2050" data-src="https://freight.cargo.site/t/original/i/288ef1c2bf0dd83d68a3465c12aaafbd6607320733a6e22efa259d5668c827d2/DSC00258.jpg" data-mid="215194488" border="0"  src="https://freight.cargo.site/w/1000/i/288ef1c2bf0dd83d68a3465c12aaafbd6607320733a6e22efa259d5668c827d2/DSC00258.jpg" /&#62;


	
	The devastation caused by the destruction of the Kakhovska Dam is notably heartrending, given the extensive harm inflicted upon the ecosystem, drinking water, local population, their homes. As well as affecting the normal function of the nearby Zaporizhzhia Nuclear Power Plant. The fragile climate of Southern Ukraine suffered a disruption that will reverberate for years ahead. Recognizing the urgency, documenting this destruction, delving into its aftermath, and bearing witness to the changes in the landscape brought by Russia emerge as imperative tasks for scientist, climate activists and artist.



	
	




	
	


	

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	<item>
		<title>To Live by the Water</title>
				
		<link>https://sonyaisupova.com/To-Live-by-the-Water</link>

		<pubDate>Mon, 16 Sep 2024 10:33:57 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/To-Live-by-the-Water</guid>

		<description>


	
	To Live by the Water
	
	Work produced during residency at LaBecque

I focused on the notion of what it means to live by the water. Through speculative fiction, I connected my stay on the shores of Lake Leman to the experience of living next to the Kakhovska Reservoir in Southern Ukraine, specifically in anticipation of its destruction.

During my residency, I developed a ritual to help me embody this idea. Every day, I wake up and gaze at the man-made sea, trying to imagine myself within it. I swim daily, eager to utilize its full potential. As I reach the middle of the sea, I envision dozens of settlements buried beneath me. I picture the water receding – not gradually, but in an instant – leaving me alone in its wake. Then, I watch as a forest begins to grow in its place.

In these tense moments of waiting for water to disappear, I printed a map using a self-made drawing machine of the flooded landscape a day after the destruction of the dam on June 7



Photography: Aurélien Haslebacher









	



&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/cc6a7e696fce23c896c1a62408cd218173402765a222cf252d9136a80e7d66ba/M.jpg" data-mid="218957785" border="0"  src="https://freight.cargo.site/w/800/i/cc6a7e696fce23c896c1a62408cd218173402765a222cf252d9136a80e7d66ba/M.jpg" /&#62;
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&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/cc6c825be964e665a69c81a90f93451418efcdcc303dbff70a0eec9ade9a460d/9f3d8e5d-e25d-47e9-b060-c0a11bd18b51.JPG" data-mid="218957797" border="0"  src="https://freight.cargo.site/w/1000/i/cc6c825be964e665a69c81a90f93451418efcdcc303dbff70a0eec9ade9a460d/9f3d8e5d-e25d-47e9-b060-c0a11bd18b51.JPG" /&#62;


	
«Revealing Landscape» Film produced during the residency at @la_becqueIn preparation for 4S Conference in Amsterdam.The machine is slowly revealing the landscape, as the dam reveals the river as a technological system, 
as the lake is revealed to be a memorial to what was there before—
a constant reminder of destruction and subjugation. 


	
	
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/13f5af0e7d9fb2e2826c10e8bedead28c1971d066d218b867cc36197cb99175a/Sonya-Isupova_La-Becque_Open-Studios_photo-Aurelien-Haslebacher_15.jpg" data-mid="218958083" border="0"  src="https://freight.cargo.site/w/1000/i/13f5af0e7d9fb2e2826c10e8bedead28c1971d066d218b867cc36197cb99175a/Sonya-Isupova_La-Becque_Open-Studios_photo-Aurelien-Haslebacher_15.jpg" /&#62;



	
	




	
	


	

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	<item>
		<title>Erinnerungschuśtawka</title>
				
		<link>https://sonyaisupova.com/Erinnerungschustawka</link>

		<pubDate>Tue, 13 Sep 2022 12:02:03 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Erinnerungschustawka</guid>

		<description>


	Erinnerungschustawka




	
	Erinnerung - memory (German)

Chuśtawka - swing (Polish)


Future starts with remembering the past. 


Erinnerungschuśtawka — a movable kind space that travels to Słubice and back to Frankfurt that is about what people lost and want to remember. Here your memories can travel back and forth, connecting with memories of others. We invite you to join, sit and reflect.


We build it in 2 weeks with during a summer school, on the river Oder that is&#38;nbsp; a natural border between Germany and Poland.&#38;nbsp; The object can move and be moved. We crossed the bridge. We took your memoirs and stored them, and moved them across the border and back.







	





&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/d506274011bc70c7a1130ee638b3a9c73a1a93207a56f680832f4796dec44c78/IMG_4342.JPG" data-mid="152813377" border="0"  src="https://freight.cargo.site/w/1000/i/d506274011bc70c7a1130ee638b3a9c73a1a93207a56f680832f4796dec44c78/IMG_4342.JPG" /&#62;
&#60;img width="1280" height="1438" width_o="1280" height_o="1438" data-src="https://freight.cargo.site/t/original/i/78fd164e4abc8140999f9938eaa4220679a477bd02c6d17266a0fc525487ef46/PERSPECTIVE.PNG" data-mid="152813516" border="0"  src="https://freight.cargo.site/w/1000/i/78fd164e4abc8140999f9938eaa4220679a477bd02c6d17266a0fc525487ef46/PERSPECTIVE.PNG" /&#62;
&#60;img width="941" height="1280" width_o="941" height_o="1280" data-src="https://freight.cargo.site/t/original/i/e580df3b699a273e62f24d72181fad1e9e6f2105ebe8641dc36474bc7c604d39/IMG_4266.jpg" data-mid="152814437" border="0"  src="https://freight.cargo.site/w/941/i/e580df3b699a273e62f24d72181fad1e9e6f2105ebe8641dc36474bc7c604d39/IMG_4266.jpg" /&#62;
&#60;img width="1000" height="1197" width_o="1000" height_o="1197" data-src="https://freight.cargo.site/t/original/i/7b96763818d7fffea40cde1b6afa463275ca10dfd8b5cb80850cede4c04bfc9e/IMG_4118_3.jpg" data-mid="152813847" border="0"  src="https://freight.cargo.site/w/1000/i/7b96763818d7fffea40cde1b6afa463275ca10dfd8b5cb80850cede4c04bfc9e/IMG_4118_3.jpg" /&#62;





	
	


	

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	<item>
		<title>Maquinas Digitales</title>
				
		<link>https://sonyaisupova.com/Maquinas-Digitales</link>

		<pubDate>Tue, 08 Apr 2025 10:50:19 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Maquinas-Digitales</guid>

		<description>


	Máquinas Digitales
	
	Exhibition at










LABoral 2025 in Gijon, Spain.
















This exhibition invites us to explore, in a surprising way, the digital machines that shape industry and society today. 


With Mapping an Uncertain Landscape the artist wants to explore the ecological repercussions of the ongoing war in Ukraine and its impact on the landscape and infrastructure, especially in the most affected southern regions. Infrastructure is often invisible until it fails, as was tragically demonstrated on 6 June 2023 with the destruction of the Kakhovska Dam. This catastrophe not only caused enormous human suffering, but has also turned out to be a major environmental disaster with far-reaching consequences. In collaboration with ecologists and geoscientists, the artist creates an extensive series of maps depicting vegetation data at key moments around the destruction of the dam: days before, days after and one year later.


Artists:&#38;nbsp; Vladan Joler, Kate Crawford, Calin Segal,Martyna Marciniak , AKQA , Noemi Iglesias Barrios , 

Space Popular, Sonya Isupova, Gordan Savičić and Felix Stalder , Elisa Cuesta, Juan Cañada and Juan Gama,

Katarzyna Szymielewicz .










	

&#60;img width="2016" height="1512" width_o="2016" height_o="1512" data-src="https://freight.cargo.site/t/original/i/2ce173fb850edf91a6510b250cc42e761cbe6cfe2616ef65163e2ee7cee5b539/IMG_3347.png" data-mid="229550633" border="0"  src="https://freight.cargo.site/w/1000/i/2ce173fb850edf91a6510b250cc42e761cbe6cfe2616ef65163e2ee7cee5b539/IMG_3347.png" /&#62;
&#60;img width="2016" height="1512" width_o="2016" height_o="1512" data-src="https://freight.cargo.site/t/original/i/11e7814afa5f6a8f2509f2cb2be8f9e05ff19626615bb6dc6679761dfd899efe/IMG_3350.png" data-mid="229550643" border="0"  src="https://freight.cargo.site/w/1000/i/11e7814afa5f6a8f2509f2cb2be8f9e05ff19626615bb6dc6679761dfd899efe/IMG_3350.png" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/57e7164f73df2f46caf20acf479e7c1258e183d6d1018dae0d7df22db8f103e2/9.jpg" data-mid="229491028" border="0"  src="https://freight.cargo.site/w/1000/i/57e7164f73df2f46caf20acf479e7c1258e183d6d1018dae0d7df22db8f103e2/9.jpg" /&#62;
&#60;img width="2016" height="1512" width_o="2016" height_o="1512" data-src="https://freight.cargo.site/t/original/i/97c2d2d0d07c114d4eb379b1abfb0bd39649913e34288a2f7cbad1c7e9d807fd/IMG_3353.png" data-mid="229551399" border="0"  src="https://freight.cargo.site/w/1000/i/97c2d2d0d07c114d4eb379b1abfb0bd39649913e34288a2f7cbad1c7e9d807fd/IMG_3353.png" /&#62;



&#60;img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/048eeaf451132b100d5c931b054ea8c3d36cabd3341ddea40f8822b1d9d8ee77/IMG_3357.png" data-mid="229551412" border="0"  src="https://freight.cargo.site/w/1000/i/048eeaf451132b100d5c931b054ea8c3d36cabd3341ddea40f8822b1d9d8ee77/IMG_3357.png" /&#62;
&#60;img width="2808" height="1872" width_o="2808" height_o="1872" data-src="https://freight.cargo.site/t/original/i/2c8dd184ce21ae7a20a168486b4c2641600ae3fdf0d9a750b3cd989a420834cf/2.png" data-mid="229551423" border="0"  src="https://freight.cargo.site/w/1000/i/2c8dd184ce21ae7a20a168486b4c2641600ae3fdf0d9a750b3cd989a420834cf/2.png" /&#62;







	
	


	

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	<item>
		<title>Lost on Arrival</title>
				
		<link>https://sonyaisupova.com/Lost-on-Arrival</link>

		<pubDate>Sat, 12 Nov 2022 14:13:03 +0000</pubDate>

		<dc:creator>Sonya Isupova</dc:creator>

		<guid isPermaLink="true">https://sonyaisupova.com/Lost-on-Arrival</guid>

		<description>

	LOST OF ARRIVAL
	
	










Music installation. The final result consisted of an interactive sound sculture


and a generative graphic projectiiono that was audio responsive to the sculpture itself.















In collaboration with:
Mazzucchelli Giona
Mackaness Hannah



	

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a61af3af05f0e67b111bd9689788c6c9ae4a2d84c2b073e43134a56ca313e277/DSCF6537.JPG" data-mid="168963942" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/a61af3af05f0e67b111bd9689788c6c9ae4a2d84c2b073e43134a56ca313e277/DSCF6537.JPG" /&#62;


	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a5f3fb73ccb1659a7ddad827c89bcf36e101e430ed1fcf3120a83baa4df37405/DSCF6528.JPG" data-mid="168964030" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/a5f3fb73ccb1659a7ddad827c89bcf36e101e430ed1fcf3120a83baa4df37405/DSCF6528.JPG" /&#62;




	
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